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MNOZIL BRASS unravels
Only a couple of weeks ago they all got together to celebrate the 19th anniversary of the group’s foundation – what a frolicsome shouting and cheering it was! Well, how it all began still reads like a fairy tale: a long time ago, in the year 1992, at the tavern of Mr Josef Mnozil, the owner with his Bohemian roots, at Seilerstätte in the 1st Vienna district. Since the music conservatory was right vis-àvis Mr Mnozil’s inn, what better place to hang out and strike up than “chez” Mr Mnozil… and the rest is history – as is the name of which Mr Mnozil had always been very proud. Hey, after all they were called the «Monty Pythons of Music» more than just once. Again only recently, as a matter of fact.
At any rate, these seven insane-cool brass players did indeed accomplish quite something during almost twenty years: a lot of hilarious concerts in 30 ½ countries and of course the first operetta of the 21th century! Followed by a grand opera for the Salzburg Festival (the opus entitled «Irmingard» had been presented in that legendary summer 2008!). They also have composed a suite for orchestra and themselves in the meantime.
And now everybody is anxiously waiting for their new work. The piece of art to celebrate their 19th anniversary! And rumor has it that, after an operetta, an opera and a concert, the new opus is very much about moving and motion. Untiringly, they were practicing the triple-Rindberger again and again – is what we hear. By all means there’s a lot of dancing involved – so much that one member of the band came up with the name «Rhythm and Shoes» for the new production. But Blofeld knew how to avert it. One reason alone being the seriously breakneck stunts their choreographer-in-chief Ferdinando Chefalo is practicing with them. In Blofeld.
But seriously: It is currently almost impossible to find a group of musicians being committed to the pledge of the secrets of music theater in a comparable degree as Mnozil Brass is. They are the only ones acting their own orchestra, ballet, chorus and ensemble of soloists – all at the same time. Those seven musicians of Mnozil Brass manage all that without any apparent effort what many an opera director wouldn’t even dare to hope in his wildest fantasies. Greed won’t fail to appear, you bet. But forget about it.
The Four Freshmen
The Four Freshmen were one of the top vocal groups of the 1950s, and formed the bridge between '40s ensembles like Mel-Tones and harmony-based rock & roll bands such as the Beach Boys as well as groups like Spanky & Our Gang and the Manhattan Transfer. The group's roots go back to the end of the 1940s and a barbershop quartet-influenced outfit called Hal's Harmonizers, organized at the Arthur Jordan Conservatory of Butler University in Indiana by two brothers, Ross and Don Barbour. Their repertoire centered on standards such as "Moonglow" and "The Christmas Song," and they began to show an unusually free, improvisational approach to their harmony singing. A couple of membership changes brought Bob Flanigan, a cousin, into the fold alongside Hal Kratzsch, and suddenly the Four Freshmen were assembled in all but name, and that fell into place a little later. The group struggled for a long time, living hand-to-mouth while building a repertoire and a sound -- many people who've heard the group's records or are familiar with their sound are unaware that they were also completely self-contained instrumentally, each member playing more than one instrument and allowing the others to switch off to different roles. They came to attention of various jazz figures of the era, including Dizzy Gillespie, Woody Herman, and Stan Kenton, and it was Kenton who took matters into his own hands, bringing the group to the attention of Capitol Records, where the bandleader had a longstanding relationship. Thus began a long and fruitful relationship with the label, initially under the guidance of arranger Pete Rugolo -- gigs followed on The Steve Allen Show (then one of the top-rated entertainment showcases on television) and with Ray Anthony's band; they also managed to make an appearance in the MGM movie Rich, Young and Pretty.
Their first hit single was "It's a Blue World," released in 1952, and they enjoyed further success with "Mood Indigo" (1954), "Day By Day" (1955), and "Graduation Day" (1956). They released their first LP, Voices in Modern, in 1955 (and some dozen more 12" discs over the next five years); that album was as impressive a jazz document as it was a vocal pop effort, showcasing the group members' playing as well as their singing and showing that these guys had lots of complex musical strings in their bow. It was on these albums that the quartet also showed itself to be a very smart outfit, not just in musical terms but logistically as well. Rather than simply doing any 12 songs that might have been working well in its stage act, the group made these releases into conceptual works, either musically (built around the sounds achieved by combinations of the group's sound and specific accompaniments, such as Four Freshmen and 5 Trombones, Four Freshmen and Five Guitars, etc.) or as thematic arrays of songs (such as Voices in Love and Voices in Latin).
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